Another gallery is “designed like a dance party.” Part of the exhibition space features a wide vestibule designed to resemble an art-adorned New York City subway station, reports Sebastian Smee for the Washington Post. This unlikely environment, in turn, sparked “a creative fermentation … that would brew a global revolution in art, music and design.” Amid an economic downturn, crumbling infrastructure and soaring unemployment, the city was “barely holding on,” she writes. Interested participants can also listen to a playlist curated by Tate and watch select videos from the multimedia-heavy exhibition via the MFA’s website.Īs Pamela Reynolds notes in a review for local NPR affiliate WBUR, the artists featured in “Writing” created art in a radically different New York City from the one known today. Visitors can purchase timed-entry passes to the exhibition, which is on view through May 16, 2021, online. He adds, “Basquiat and his friends knocked on the closed doors of the art world, the knock turned into a push and that push turned into a forceful toppling of long-established structures.” ![]() ![]() ‘Writing the Future’ illuminates a less-explored aspect of his work and his mutually influential relationships with his peers,” says MFA director Matthew Teitelbaum in a statement. “Basquiat was an artist of his time and, after his early death, an artist for all time. Co-curated by MFA curator Liz Munsell and critic Greg Tate, the exhibition traces how a group of young artists involved in the hip-hop scene went from tagging subway cars to participating in the mainstream, white-dominated art world.Ĭourtesy Museum of Fine Arts Boston / 2018 The Rammellzee Estate Īs Gabriella Angeleti reports for the Art Newspaper, “ Writing the Future: Basquiat and the Hip-Hop Generation” is the first major show to consider the influence of Basquiat’s large network of mainly black and Latino collaborators, who worked alongside the artist in his early years but never achieved the same meteoric level of fame. ![]() These collaborators-among them legendary graffiti artist A-One, visual artist Fab 5 Freddy, artist and activist Keith Haring, graffiti and mural artist Lady Pink, and “Gothic futurist” Rammellzee -“fueled new directions in fine art, design, and music, driving the now-global popularity of hip-hop culture,” writes the MFA on its website. ![]() Since his passing in 1988, critics and scholars alike have hailed Basquiat, whose large-scale works juxtaposed energetic colors and iconography to probe issues of colonialism, race, celebrity and systemic oppression, as a singular artistic genius today, his paintings regularly fetch astronomical sums at auction.Ī new exhibition at the Museum of Fine Arts (MFA) Boston demystifies the image of Basquiat as a lone wolf, instead demonstrating how he honed his artistic sensibilities within a milieu of creative, boundary-breaking young peers on the forefront of hip-hop culture. Contemporary accounts tend to mythologize the brief life of Jean-Michel Basquiat, who rocketed from New York City’s underground graffiti culture to worldwide acclaim before dying of a heroin overdose at just 27 years old.
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